Digital resources in the Social Sciences and Humanities OpenEdition Our platforms OpenEdition Books OpenEdition Journals Hypotheses Calenda Libraries OpenEdition Freemium Follow us

Verschlagwortet: Kanon

0

August von Kotzebues transnationales Erbe und die intersektionale Literaturgeschichtsschreibung

A fresh look at August von Kotzebue reveals how deeply transnational, mobile and complex the literary landscape around 1800 truly was. This new article challenges the narrow canon of “Weimar Classicism” by tracing Kotzebue’s international impact, his hybrid dramatic forms, and the gendered networks that shaped his reception. By approaching his career through an intersectional lens, it opens a path toward a more inclusive and European literary historiography. Presented at the GSA Seminar “Literaturgeschichte intersektional weiterschreiben” (Arlington, VA, 2025), the piece invites readers to rethink what—and who—belongs at the centre of literary history.

0

Nietzsche und Kotzebue: „Die Deutschen im Theater“ – Eine ungewöhnliche Wertschätzung im Spannungsfeld der deutschen Theaterkultur

As we begin a new year, this post revisits Friedrich Nietzsche’s provocative take on August von Kotzebue, offering fresh insights into the dynamics of German theatre culture. In aphorism 170 of Human, All Too Human (1878), Nietzsche describes Kotzebue as the “true theatre talent of the Germans.” This provocative claim compels a re-evaluation of theatre as a cultural institution that values authenticity and popular engagement over idealised intellectualism. By reflecting on Nietzsche’s critique, we re-engage with enduring debates about the intersection of art, audience, and cultural values—a timely prompt for fresh perspectives in the year ahead.