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Verschlagwortet: Friedrich Nietzsche

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Erinnerungen an Kotzebue in der Familie Nietzsche

In December 1911, Elisabeth Förster-Nietzsche penned her personal reflections on August von Kotzebue, prompted by Baroness Elisabet von Rosen’s recently published Revaler Theaterchronik. Rather than focusing on Kotzebue’s tenure at the Reval Theatre, Förster-Nietzsche used the occasion to explore her family’s historical ties to the controversial playwright. Her essay, published in the St. Petersburger Zeitung an 1 January 1912 and reprinted two decades later in the Revalsche Zeitung, provides a unique familial perspective on Kotzebue, challenging dominant narratives in 19th and early 20th-century German literary historiography. This blog post delves into Förster-Nietzsche’s portrayal of Kotzebue within the Nietzsche family, situating it within broader discussions of his public reception and Friedrich Nietzsche’s own critical engagement with his work.

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Kotzebue durch Nietzsches Augen: „Das eigentliche Theatertalent der Deutschen“ und die Perspektiven der Forschung

The blog post “Kotzebue through Nietzsche’s Eyes” builds on the insights of our previous publication, which presented Friedrich Nietzsche’s surprising appreciation of August von Kotzebue as “the genuine theatrical talent of the Germans.” This follow-up examines how Nietzsche’s remarks have been received and interpreted in scholarly debates from 1950 to the present. By drawing on both well-known and overlooked sources, the post offers a synthesis that highlights Nietzsche’s critique of the German cultural elite, his reflections on taste and authenticity, and the role of theatre in society. It aims to provide a foundation for further discussion and research.

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Nietzsche und Kotzebue: „Die Deutschen im Theater“ – Eine ungewöhnliche Wertschätzung im Spannungsfeld der deutschen Theaterkultur

As we begin a new year, this post revisits Friedrich Nietzsche’s provocative take on August von Kotzebue, offering fresh insights into the dynamics of German theatre culture. In aphorism 170 of Human, All Too Human (1878), Nietzsche describes Kotzebue as the “true theatre talent of the Germans.” This provocative claim compels a re-evaluation of theatre as a cultural institution that values authenticity and popular engagement over idealised intellectualism. By reflecting on Nietzsche’s critique, we re-engage with enduring debates about the intersection of art, audience, and cultural values—a timely prompt for fresh perspectives in the year ahead.

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Zwischen Kotzebue und Nietzsche: Ein Brief als Zeugnis von Trauer, Trost und familiärer Nähe

Ein einzigartiges Zeugnis menschlicher Verbundenheit und historischer Tiefe: Der Brief von Christiane Kotzebue an ihre Nichte Erdmuthe Nietzsche öffnet ein Fenster in das private Leben und die emotionale Welt des frühen 19. Jahrhunderts. Er zeigt, wie familiäre Bande Trost und Halt in einer Zeit bieten konnten, die von persönlichen Verlusten und gesellschaftlichen Umbrüchen geprägt war.