Kotzebue’s “Das Kind der Liebe” Returns to the London Stage

Celebrate the timeless legacy of August von Kotzebue as his “Das Kind der Liebe” (“The Love Child”) comes to life on the London stage in a thrilling new production. First performed on 10 February 1790 at the Liebhabertheater in Reval (modern-day Tallinn), this remarkable play was adapted in 1798 by the trailblazing playwright and actress Elizabeth Inchbald as “Lovers’ Vows“. A sensation on the English stage, it showcased Kotzebue’s immense popularity and influence. Inchbald, a pioneering female figure in 18th-century theatre, brought her unique voice to this bold adaptation, which became a cultural touchstone.

The play centres on Agatha Friburg, who, after being seduced and abandoned by Baron Wildenhaim, is left destitute with their illegitimate son, Frederick. Years later, Frederick returns from military service to find his mother impoverished. In his quest to support her, he confronts the Baron, leading to revelations of past wrongs and eventual reconciliation. The play engages with themes of social injustice, familial duty, and redemption, exploring the moral complexities of honour and forgiveness.

As with many of Kotzebue’s works, “Das Kind der Liebe” features a controversial female character—in this case, the Baron’s daughter, Amelia. Amelia defies societal expectations by rejecting her father’s choice of husband and pursuing a relationship with her tutor, Anhalt. This progressive depiction of female autonomy was ahead of its time, though Elizabeth Inchbald, in adapting the play as “Lovers’ Vows“, expressed some discomfort with Amelia’s boldness, reflecting the contrasting cultural attitudes of Britain and Germany.

By addressing issues of illegitimacy and societal norms, the play provoked debates on morality and class, challenging the contemporary social order while engaging audiences with its nuanced portrayal of personal and familial redemption. Famously featured in Jane Austen’s “Mansfield Park” (1814), “Das Kind der Liebe” was both scandalous and compelling, offering a gripping exploration of love, family, and societal tensions.

This rare revival is being brought to the stage by the Historia Theatre Company, known for their dedication to reviving forgotten classics. Directed by Kenneth Michaels, this production promises a fresh and insightful take on an intriguing piece of theatrical history.

Performances will run at the Brockley Jack Theatre from 21 January to 1 February 2025 in London.

I’m absolutely delighted to see this rarely performed play back on stage—a wonderful chance to experience an exciting drama of intrigue, love, and family bonds from theatre history!

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